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In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman ( Sweet Valley High) of color ( The Help) while also taking readers on a ride through culture of the last few years ( Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). I once live-tweeted the September issue.” I read Vogue, and I’m not doing it ironically, though it might seem that way. If I have an accessory, it is probably pink. I used to say my favorite color was black to be cool, but it is pink-all shades of pink. Whether it’s something you firmly support or something you haven’t even given a second thought, I recommend picking up a copy of this book today.From Roxane Gay comes this collection of essays spanning politics, criticism, and feminism from one of the most-watched young cultural observers of her generation-now available in a limited Olive Edition. Bad Feminist is a fresh, smartly written way to maybe expand your point of view on feminism. Whether you’re a woman or not, I think it’s important to stay informed on the issues women deal with in politics, in pop culture, and in everyday life. Maybe you’re afraid to label yourself as such because, like Roxane Gay, you think you are a “bad feminist.” Regardless of your stance on the subject, I think every college-aged woman should pick up Bad Feminist: Essays by Roxane Gay and give it a read. Maybe you don’t label yourself as a feminist, and that’s okay. It’s a fun read because it makes you think, but not in the way your advanced calculus textbook makes you think.
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This isn’t a book of lectures on how to be a feminist it’s a discussion on feminism and its various cultural portrayals, what it means to be a “bad” feminist and how to deal with it. Most importantly, the writing throughout the essays is smart, humorous, and casual.The essays are largely centered around current popular culture or political events to not only keep relevant and interesting, but also to acknowledge how big of an issue feminism and the question of women’s rights is in all aspects of the media and society as a whole.Her essays are split up into five categories: “Me,” “Gender & Sexuality,” “Race & Entertainment,” “Politics, Gender, and Race,” and “Back to Me.” Don’t be intimidated if this sounds like a Women’s and Gender Studies class syllabus essays range in topic from “When Twitter Does What Journalism Cannot,” to “Blurred Lines, Indeed,” to “The Trouble with Prince Charming, or He Who Trespassed Against Us.”.She opens up the term to be inclusive of women who may not staunchly follow “feminism” and all its ideals to a T, but still want to identify as a feminist. Her honesty with herself and her acceptance of her own brand of feminism is pretty inspirational.
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